The musician forum for auditions, jobs, gear, schools, repertoire, events, and career discussion.
Official updates about Cadenza, new features, listings, forum changes, and platform news.
Moderator: Cadenza Team
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The forum has 110 posts across 109 topics, from 2 participating members. The most recent contributor is Baldvin Oddsson.
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The Cadenza Forum is the main discussion home for auditions, schools, events, and career questions.
How to post, how to report, how the forum works, and how to keep discussions useful and respectful.
Moderator: Cadenza Team
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New members introduce themselves: instrument, city, school, orchestra, teacher, goals, and what they are working on.
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Suggest improvements to Cadenza, the forum, listings, schools, events, marketplace, alerts, and profiles.
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Report wrong listings, bad deadlines, duplicate schools, missing organizations, incorrect event details, or broken links.
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General audition questions: preparation, mindset, logistics, screens, trial weeks, travel, rejection, and process.
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Past audition reports: repertoire, rounds, screens, excerpts, number advanced, travel, process, and advice.
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Principal, associate principal, section, tutti, temporary, extra, and substitute orchestra positions.
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Pit orchestra auditions, opera house orchestra jobs, ballet orchestra work, and theatre orchestra questions.
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University faculty, adjunct, conservatory teaching, school teaching, private studio, and online teaching.
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Development, marketing, operations, personnel manager, artistic planning, executive director, and production roles.
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Army, Navy, Air Force, Marine, Coast Guard, police, ceremonial, reserve, and international military band jobs.
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Solo, chamber, orchestral, conducting, composition, jazz, voice, and youth competitions.
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Summer festivals, young artist programs, academies, masterclasses, residencies, and fellowships.
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Grants, scholarships, fellowships, project funding, travel funding, and emergency funding.
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Calls for composers, performers, ensembles, recordings, residencies, commissions, and new music projects.
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Weddings, churches, pits, recording sessions, substitute calls, chamber gigs, touring, and local work.
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Resumes, bios, cover letters, repertoire lists, video applications, audio recordings, and prescreens.
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Pay, pensions, tenure, trial periods, benefits, taxes, contract negotiation, and union questions.
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EU auditions, U.S. work visas, UK visas, Canada, Asia, Middle East, relocation, and international eligibility.
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Sound, rhythm, intonation, tone, breathing, articulation, phrasing, and musical discipline.
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Daily routines, warmups, practice planning, time management, and audition preparation schedules.
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Sight-reading strategies, practice methods, audition sight-reading, and ensemble reading.
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Aural skills, harmony, analysis, solfège, theory, score reading, and musicianship.
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Jazz improvisation, classical improvisation, cadenzas, continuo, ornamentation, and creative practice.
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Nerves, auditions, stage fright, breathing, mindset, confidence, and performing under pressure.
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Injury prevention, overuse, hearing protection, vocal health, physical therapy, and recovery. This is not medical advice.
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Audition videos, microphones, cameras, editing, prescreen setup, and home studio basics.
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Recordings, style, phrasing, historical interpretation, and great performances.
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Orchestral excerpts, section playing, principal playing, standard repertoire, and audition lists.
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String quartets, brass quintets, wind quintets, piano trios, mixed ensembles, rehearsal issues, and chamber careers.
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Concertos, sonatas, recital programs, encore pieces, and competition repertoire.
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Opera repertoire, opera auditions, roles, coaching, languages, opera orchestra, and young artist programs.
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Choirs, choral conducting, choral singing, church music, and professional chorus work.
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Standards, transcriptions, improvisation, big band, combo playing, and lead sheets.
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New works, extended techniques, notation, composer-performer collaboration, and modern repertoire.
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Baroque, Renaissance, Classical style, historical instruments, continuo, ornamentation, and period performance.
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Broadway, regional theatre, doubling, click tracks, pit etiquette, books, and substitute work.
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Recommended albums, historic recordings, audition reference recordings, and player comparisons.
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Discuss great players, conductors, singers, composers, ensembles, orchestras, and important recordings.
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Editions, urtext vs practical editions, public domain scores, parts, bowings, cuts, and score preparation.
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Trumpet playing, auditions, gear, mouthpieces, C trumpet, Bb trumpet, piccolo, cornet, and flugelhorn.
Sub-forums: Trumpet Fundamentals, High Range & Endurance, Jazz / Commercial Trumpet, Orchestral / Chamber / Solo Trumpet, Trumpet Pedagogy, Trumpets / Horns, Mouthpieces, Cornet / Flugelhorn
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Horn auditions, high/low horn, orchestral excerpts, mouthpieces, double/triple horns, natural horn, and horn gear.
Sub-forums: Horn Auditions & Jobs, Horn Audition Reports, Horn Fundamentals, High Horn / Low Horn, Accuracy & Endurance, Orchestral Horn Excerpts, Natural Horn, Mouthpieces & Horns
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Tenor trombone, orchestral work, jazz, excerpts, slides, mouthpieces, alto trombone, and trombone gear.
Sub-forums: Trombone Auditions & Jobs, Trombone Audition Reports, Tenor Trombone, Alto Trombone, Orchestral Trombone Excerpts, Jazz / Commercial Trombone, Slide Technique, Mouthpieces
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Bass trombone auditions, low register, equipment, orchestral excerpts, commercial work, and bass trombone gear.
Sub-forums: Bass Trombone Auditions & Jobs, Bass Trombone Audition Reports, Bass Trombone Technique, Bass Trombone Excerpts, Bass Trombone Gear, Bass Trombone Mouthpieces, General Bass Trombone Discussion
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Euphonium, baritone, brass band, wind band, military band, repertoire, competitions, and gear.
Sub-forums: Euphonium Jobs & Auditions, Euphonium Repertoire, Brass Band Euphonium, Euphonium Gear, Schools & Teachers, Euphonium Marketplace, General Euphonium Discussion
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CC, BBb, F, and Eb tuba, orchestral auditions, military bands, mouthpieces, transport, and low brass gear.
Sub-forums: Tuba Auditions & Jobs, Tuba Audition Reports, CC / BBb / F / Eb Tuba, Tuba Orchestral Excerpts, Tuba Mouthpieces, Tuba Transport, Tuba Schools & Teachers, Tuba Marketplace
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Brass quintets, brass choirs, chamber repertoire, ensemble balance, gigs, and programming.
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Teaching brass, embouchure, breathing, methods, young players, studio building, and teaching materials.
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Brass instruments, mouthpieces, mutes, cases, accessories, wanted posts, and trades.
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Flute, piccolo, alto flute, tone, excerpts, headjoints, auditions, masterclasses, and flute gear.
Sub-forums: Flute Auditions & Jobs, Flute Audition Reports, Flute Fundamentals, Piccolo, Alto / Bass Flute, Orchestral Flute Excerpts, Solo & Chamber Flute Repertoire, Headjoints & Flutes
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Oboe, English horn, reeds, cane, gouging, knives, excerpts, audition prep, and oboe gear.
Sub-forums: Oboe Auditions & Jobs, Oboe Audition Reports, Oboe Fundamentals, Oboe Reeds, English Horn, Oboe Orchestral Excerpts, Oboe Repertoire, Oboes & Equipment
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Bb, A, Eb, and bass clarinet, reeds, mouthpieces, barrels, ligatures, auditions, and clarinet gear.
Sub-forums: Clarinet Auditions & Jobs, Clarinet Audition Reports, Clarinet Fundamentals, Bb / A Clarinet, Eb Clarinet, Clarinet Reeds, Mouthpieces, Barrels & Ligatures, German vs French Systems
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Bass clarinet gear, excerpts, doubling, mouthpieces, reeds, low clarinets, and bass clarinet work.
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Bassoon, reeds, bocals, excerpts, auditions, school questions, repairs, and bassoon gear.
Sub-forums: Bassoon Auditions & Jobs, Bassoon Audition Reports, Bassoon Fundamentals, Bassoon Reeds, Bocals, Bassoon Orchestral Excerpts, Solo & Chamber Bassoon Repertoire, Bassoons & Equipment
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Contrabassoon playing, equipment, auditions, doubling, repair, repertoire, and low woodwind questions.
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Classical saxophone, jazz saxophone, reeds, mouthpieces, doubling, recordings, auditions, and saxophone gear.
Sub-forums: Saxophone Jobs & Auditions, Classical Saxophone, Jazz Saxophone, Saxophone Doubling, Saxophone Mouthpieces & Reeds, Saxophones & Gear, Recording & Microphones, Saxophone Schools & Teachers
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Recorder, traverso, shawms, historical woodwinds, early music technique, and period performance.
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Pit doubling, reed books, flute/clarinet/sax combinations, gear, practice strategies, and theatre work.
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Single reeds, double reeds, cane, reed tools, adjustment, storage, and suppliers.
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Pads, cracks, swabs, oiling, repair problems, and technician recommendations.
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Instruments, reeds, mouthpieces, bocals, headjoints, cases, accessories, wanted posts, and trades.
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Violin auditions, technique, excerpts, strings, bows, luthiers, solo/chamber repertoire, and violin gear.
Sub-forums: Violin Auditions & Jobs, Violin Audition Reports, Violin Fundamentals, Violin Orchestral Excerpts, Concertmaster / Principal Auditions, Section Violin Auditions, Solo Violin Repertoire, Violin Chamber Music
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Viola auditions, orchestral excerpts, instruments, strings, bows, repertoire, schools, and viola gear.
Sub-forums: Viola Auditions & Jobs, Viola Audition Reports, Viola Fundamentals, Viola Orchestral Excerpts, Solo Viola Repertoire, Viola Chamber Music, Violas, Bows & Setup, Viola Strings
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Cello auditions, Bach suites, excerpts, strings, bows, endpins, cases, chamber music, and cello gear.
Sub-forums: Cello Auditions & Jobs, Cello Audition Reports, Cello Fundamentals, Cello Orchestral Excerpts, Bach Suites, Solo Cello Repertoire, Cello Chamber Music, Cello Bows
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Orchestral bass, jazz bass, German/French bow, strings, amplification, transport, and bass gear.
Sub-forums: Bass Auditions & Jobs, Bass Audition Reports, Orchestral Bass, Jazz Bass, German Bow / French Bow, Bass Strings & Setup, Amplification, Transport & Cases
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Pedal harp, lever harp, orchestral excerpts, tuning, regulation, transport, strings, and harp jobs.
Sub-forums: Harp Auditions & Jobs, Pedal Harp, Lever Harp, Orchestral Harp Excerpts, Harp Maintenance, Strings & Regulation, Harp Transport, Harp Schools & Teachers
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Classical guitar repertoire, nails, technique, amplification, competitions, schools, instruments, and gear.
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Mandolin, lute, theorbo, early plucked instruments, repertoire, maintenance, and historical performance.
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Quartets, piano trios, chamber rehearsals, bowings, seating, ensemble etiquette, and gigs.
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Instrument setup, repairs, bow rehairs, bridges, soundposts, cracks, insurance, and appraisals.
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Bow buying, strings, shoulder rests, endpins, cases, rosin, and setup changes.
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Violins, violas, cellos, basses, bows, cases, strings, accessories, wanted posts, and trades.
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Percussion playing, auditions, gear, schools, ensemble work, and general percussion questions.
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Timpani excerpts, tuning, heads, pedals, sticks, auditions, and orchestral playing.
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Orchestral snare, rudiments, excerpts, drums, heads, sticks, and technique.
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Marimba, vibraphone, xylophone, glockenspiel, repertoire, mallets, and auditions.
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Jazz, commercial, pit work, big band, click tracks, gear, and drum set technique.
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Crash cymbals, suspended cymbals, orchestral cymbal technique, brands, and maintenance.
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Hand drums, Latin percussion, African percussion, frame drums, hybrid setups, and world traditions.
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New music, setups, electronics, notation, multi-percussion, and composer collaboration.
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Mallet choices, stick bags, cases, stands, transport, and setup solutions.
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Drums, cymbals, mallets, marimbas, vibraphones, cases, accessories, wanted posts, and trades.
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Piano technique, repertoire, competitions, auditions, practice, recordings, and piano careers.
Sub-forums: Piano Competitions & Jobs, Piano Audition Reports, Piano Technique, Solo Piano Repertoire, Piano Chamber Music, Piano Schools & Teachers, Piano Marketplace, General Piano Discussion
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Accompanying, coaching, opera, instrumental collaboration, staff pianist jobs, and collaborative careers.
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Church jobs, organ repertoire, registration, instruments, auditions, service playing, and organ careers.
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Harpsichord, continuo, early music, temperament, maintenance, repertoire, and historical keyboard work.
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Modern keyboard work, theatre, pop, MIDI, software, live rigs, and commercial keyboard performance.
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Teaching piano, beginner methods, studio management, exams, competitions, and lesson planning.
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Tuning, voicing, regulation, humidity, practice instruments, and technician questions.
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Pianos, keyboards, organs, harpsichords, benches, pedals, accessories, wanted posts, and trades.
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General singing discussion, technique, repertoire, auditions, schools, and vocal career questions.
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Soprano repertoire, roles, auditions, range, fach, competitions, and vocal issues.
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Mezzo and contralto roles, fach, repertoire, auditions, young artist programs, and vocal career questions.
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Countertenor technique, repertoire, early music, auditions, roles, and training.
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Baritone and bass repertoire, opera roles, fach, auditions, young artist programs, and career questions.
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YAPs, applications, fees, auditions, interviews, housing, contracts, and program experiences.
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Audition arias, aria packages, role preparation, art song, oratorio, and repertoire questions.
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Italian, German, French, English, Czech, Russian, IPA, translations, and language preparation.
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Breath, resonance, passaggio, registration, support, warmups, and technical development.
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Fatigue, reflux, recovery, doctors, safe singing, injury prevention, and vocal wellness. Not medical advice.
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Finding coaches, pianist etiquette, coaching rates, audition pianists, and collaboration.
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Managers, agents, auditions, contracts, career strategy, and representation.
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Professional chorus work, church jobs, ensemble singing, choral auditions, and choral careers.
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Scores, gowns, tuxes, recording gear, microphones, music stands, accessories, wanted posts, and trades.
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General conducting discussion, training, repertoire, career questions, and conducting life.
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Orchestra conducting, rehearsal technique, score study, auditions, assistant posts, and repertoire.
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Choral rehearsal, programming, church music, professional choirs, diction, and choral leadership.
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Opera rehearsals, singers, répétiteurs, pit coordination, language, staging, and opera careers.
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Band conducting, wind repertoire, school bands, military bands, competitions, and rehearsal work.
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Applications, videos, interviews, auditions, cover conducting, fellowships, and assistant roles.
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Search committees, applications, interviews, trial rehearsals, programming, and leadership.
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Analysis, preparation, markings, memorization, rehearsal planning, and study systems.
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Application videos, camera angles, repertoire choices, editing, and feedback.
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Competitions, workshops, summer programs, fellowships, and masterclass experiences.
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Batons, tablets, scores, software, marking systems, and conducting gear.
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Composition discussion, process, style, portfolio, feedback, and creative work.
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Open calls, submission advice, fees, deadlines, composer opportunities, and project calls.
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Competitions, applications, jury feedback, eligibility, repertoire, and results.
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Pricing, contracts, timelines, working with performers, premieres, and commission etiquette.
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Composer grants, residencies, fellowships, applications, and funding.
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Dorico, Sibelius, Finale, MuseScore, engraving, parts, score preparation, and layout.
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Writing for orchestra, instruments, balance, ranges, practical scoring, and orchestral technique.
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Media composition, mockups, DAWs, briefs, clients, rights, and scoring workflow.
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Electroacoustic music, fixed media, Max/MSP, Ableton, synthesis, and electronics.
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Big band writing, lead sheets, arranging, voicings, charts, and jazz composition.
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Analysis, harmony, counterpoint, form, pedagogy, research, and theory questions.
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Copyright, royalties, self-publishing, publishers, contracts, PROs, and licensing.
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General jazz discussion, gigs, recordings, schools, improvisation, and jazz life.
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Changes, vocabulary, transcription, ear training, lines, rhythm, and improvising.
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Tunes, forms, lyrics, recordings, fake books, repertoire lists, and interpretation.
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Lead playing, section playing, charts, rehearsal, ensemble balance, and big band work.
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Jazz trumpet, lead playing, improvisation, gear, recordings, and trumpet players.
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Saxophone improvisation, mouthpieces, reeds, transcriptions, and saxophone players.
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Comping, voicings, solo piano, trio playing, transcriptions, and jazz piano technique.
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Upright/electric bass, walking lines, amplification, rhythm section, and bass technique.
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Time, ride cymbal, brushes, setups, small group, big band, and drum technique.
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Session work, touring, charts, in-ears, backing tracks, click tracks, and commercial performance.
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Home recording, mixing, microphones, DAWs, demos, releases, and production workflow.
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Applications, auditions, prescreens, trial lessons, portfolios, and admissions questions.
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BM/BMus applications, choosing schools, scholarships, parents, and first degrees.
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MM, artist diploma, doctoral programs, assistantships, funding, and graduate applications.
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Europe, UK, U.S., Canada, Asia, tuition, visas, language, and degree systems.
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How to choose a teacher, trial lessons, studio fit, and questions to ask.
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Student experiences, studio culture, campus life, workload, and career outcomes. Moderated carefully.
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Festivals, academies, masterclasses, age limits, costs, value, and application strategy.
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Merit aid, need-based aid, assistantships, fellowships, free tuition schools, and funding.
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Teaching methods, books, studio policies, student motivation, curriculum, and lesson planning.
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Youth orchestras, pre-college programs, competitions, parents, practice, and school choices.
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Remote teaching, lesson platforms, cameras, microphones, pricing, and online pedagogy.
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Buying, selling, upgrading, insurance, appraisals, beginner vs professional gear, and general equipment questions.
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Repair shops, maintenance, emergency fixes, recommendations, costs, and repair stories.
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Microphones, interfaces, cameras, lighting, acoustic treatment, and audition recording setups.
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Dorico, Sibelius, Finale, MuseScore, workflows, parts, engraving, and software questions.
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Tuners, metronomes, apps, slow-down tools, practice trackers, and digital practice tools.
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iPad, forScore, pedals, styluses, page turns, backups, and digital music libraries.
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Amplification, microphones, pickups, monitors, in-ear systems, and live performance sound.
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User reviews of instruments, accessories, software, microphones, cases, and tools.
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Instrument insurance, shipping insurance, appraisals, documentation, and coverage questions.
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How buying/selling works, trust requirements, scams, shipping, payment safety, and moderation.
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Instrument sales across all families. Use tags for instrument family and location.
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Mouthpieces, reeds, strings, bows, cases, mutes, mallets, stands, and accessories.
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Users looking for specific instruments, gear, scores, accessories, or services.
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Verified dealers, shops, repair techs, makers, and professional sellers.
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Buyer/seller feedback, references, transaction history, and marketplace reputation.
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Packing, international shipping, customs, PayPal, escrow, insurance, and payment safety.
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Known scams, suspicious listings, safety warnings, and marketplace reports.
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Upcoming concerts, recommendations, programs, reviews, and concert discussion.
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Masterclasses, teachers, applications, costs, experiences, and recommendations.
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Classical, jazz, opera, chamber, new music, summer festivals, and application questions.
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Competition discussion, results, jury, repertoire, experiences, and winners.
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Opera productions, ballet seasons, singers, conductors, orchestras, and reviews.
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User reviews of concerts, festivals, masterclasses, venues, and programs.
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Cadenza tickets, discounts, student tickets, refunds, seating, and ticketing questions.
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Wrong event dates, missing venues, ticket links, program corrections, and calendar issues.
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Rates, gigs, networking, invoicing, contracts, wedding/corporate work, and freelance life.
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Teaching rates, policies, cancellations, marketing, scheduling, and studio growth.
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Websites, branding, newsletters, social media, products, courses, and independent music careers.
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Moving from performance into admin, interviews, resumes, salaries, and career paths.
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Union rules, taxes, contracts, invoices, copyright, business entities, and legal basics.
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Travel with instruments, flights, cases, visas, hotels, per diem, and touring logistics.
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New York, London, Berlin, Vienna, Paris, LA, Chicago, Boston, Amsterdam, and relocation.
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Rejection, anxiety, burnout, motivation, career doubts, and support.
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Parent questions, youth competitions, practice, school choices, and young musician support.
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Audition wins, job wins, school acceptances, grant wins, comeback stories, and encouragement.
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U.S. auditions, schools, gigs, unions, cities, visas, and career questions.
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UK conservatoires, orchestras, visas, teaching, gigs, and regional music life.
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German orchestras, Hochschulen, auditions, contracts, visas, and music life.
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Norway, Sweden, Denmark, Finland, Iceland, auditions, schools, and festivals.
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Iberian schools, orchestras, festivals, auditions, and music life.
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Regional schools, orchestras, festivals, auditions, and career discussion.
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Asian orchestras, schools, festivals, competitions, auditions, and music life.
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Regional auditions, schools, festivals, orchestras, and music life.
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Latin American orchestras, schools, festivals, gigs, and opportunities.
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Middle Eastern orchestras, schools, festivals, gigs, and opportunities.
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Share recordings, videos, performances, practice clips, compositions, and feedback requests.
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Instruments, studios, practice rooms, desks, gear, cases, and setups.
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Daily practice check-ins, goals, accountability, and routines.
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Recordings, books, podcasts, documentaries, concerts, and resources.
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Forum suggestions, usability feedback, and community improvement ideas.
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Login problems, posting bugs, display issues, broken pages, and account help.
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Questions about forum rules, reports, locked topics, and moderation decisions.
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