Applications.Jury review.Decisions, delivered.
Summer programs, fellowships, festival-orchestra auditions — your first posting is free; take applications with prescreen media and references, run a blind jury with weighted rubrics, send e-signed offers, award named scholarships, and sell your passes — the whole admissions cycle on one platform built for the festival office.
225+
Festivals covered
117
Live programs
34
Countries
Musician accounts free forever No auto-renewal — we remind you 14-day money-back guarantee (unused service — see Terms)
A musician looking for festivals? Browse open programs & competitions →
This is the actual product
The admissions office, on one screen.
Every screenshot below is our demonstration organization’s real Cadenza festival workspace mid-cycle — applications in, jury underway, scholarships offered. Not a mockup.

Applications
Every applicant, one reviewable packet.
Repertoire, prescreen media, references, and your custom questions land in one queue — filterable by status, taggable by your team.
- Prescreen media and references in the packet
- Status filters and team tags
- Application fees and waivers handled in-platform

Scholarships & aid
Named awards, recorded like money.
The Dean’s Merit Fellowship, the Concertmaster Scholarship, the need-based package — offered against a specific application, with amounts and responses tracked.
- Named fellowships tied to applications
- Amounts, offers, and responses in one place
- The aid picture your director actually needs

Jury review
A blind panel that scores the tape.
Jurors score by number against your weighted rubric — identity stripped server-side — and advancement carries the strongest applicants into the next round.
- Blind by audition number, enforced at the API
- Weighted rubrics you define
- Multi-round advancement with an audit trail

Run this season on Cadenza.
Post the program free today; talk to us about Festival Admissions Pro before applications open.
The alternative
Another cycle in a shared spreadsheet is a bet.
Every packet in an inbox, every score without a rubric, every deposit without a record — the admissions office absorbs the risk personally.
The packet in three inboxes
Prescreen links in email, transcripts in a drive, references on paper. One reviewable packet per applicant ends the reconstruction work.
The jury that drifts
Without a shared rubric and a trail, every deliberation is re-argued from memory. Weighted, blind scoring makes the result the record.
The deposit nobody logged
A held seat with no record is a seat you may give away twice. Deposits tracked against the offer close that door.
Applications open months before the season — the cycle you set up now is the one that runs itself in March.
Talk to us about the pilotPost what you’re actually running.
Pick one, write it in a minute (or ask us to draft it), and your first posting is live free.
Summer Festival / Program
Open applications for the season
Post thisFellowship / Young Artist
A funded young-artist track
Post thisCompetition
Rounds, repertoire, and a jury
Post thisFestival Orchestra Audition
Seat the festival orchestra
Post thisFaculty / Guest Artist
Teaching and residency roles
Post thisMasterclass / Academy
Participant and observer intake
Post thisCall for Scores / Commission
Composer and new-work calls
Post thisApprenticeship / Internship
Production and admin tracks
Post thisOpen across the field
117 open in Festival Programs
Calgary Opera McPhee Artist Development Program
Calgary Opera
ViewMeitar Opera Studio
The Israeli Opera
ViewWexford Factory
Wexford Festival Opera
ViewGarsington Opera Alvarez Emerging Artists' Programme
Garsington Opera
ViewWelsh National Opera Associate Artist Programme
Welsh National Opera
ViewENO Harewood Artists
English National Opera
ViewRun the jury — not just collect the forms.
Acceptd and Google Forms collect applications and stop. Cadenza runs the review to the decision.
An illustration of the jury panel — anonymous applicant numbers, scored on the work, not the name.
- 1
Take the application
A branded form with audio/video, repertoire, and references — collected and shortlisted in one place.
- 2
Run the jury panel
Scoring from anywhere, anonymous review, rounds and advancement, and an auditable trail — semifinals to finals.
- 3
Decide and notify
A ranked result, offers and decisions, and applicant emails — straight from the dashboard.
The difference
The application platforms collect the forms. Cadenza runs the jury and the festival.
The full season runs on Festival Admissions Pro at $12,000/yr — selected festivals may qualify for a private implementation pilot before the year.
See Audition OSThe whole admissions cycle — not just the form.
From the first application to the enrollment deposit and the season, every stage runs in one place with an auditable trail. Each of these is a real feature you can turn on — not a promise.
- Stage 1
Applications & prescreen
A branded application form with prescreen audio/video, declared repertoire, uploaded materials, and teacher references — collected in one place with a prescreening deadline, not scattered across email and forms.
- Stage 2
Blind jury review
A jury panel scores from anywhere against a weighted rubric, with anonymous review, several aggregation modes (weighted average, trimmed mean, median), and multi-round advancement from prescreen to finals — on an auditable trail.
- Stage 3
Decisions & embargo
Accept, waitlist, or reject, then release privately and flip a whole cohort visible at once on a scheduled date. Until the embargo lifts, applicants never see a staged decision.
- Stage 4
Offer letters, e-signed
Send an offer letter the applicant accepts or declines online. Acceptance is a typed-name e-signature recorded with a timestamp — recorded evidence for your file, not a loose email reply.
- Stage 5
Scholarships & aid
Award named scholarships, fellowships, and prizes, and package financial aid from line-item components — scholarship, grant, work-study, loan, fee-waiver — with an offered → accepted funnel and dollars-committed reporting.
- Stage 6
Deposits & the season
Track enrollment deposits to hold a seat (recorded, collected off-platform), then sell week passes, single tickets, and masterclass observer seats on one ledger with a patron CRM and donations for your donors.
Enrollment deposits are recorded, not processed — the festival collects the deposit through its own channel and the applicant submits proof here, so nothing routes through Cadenza. Offer acceptance is a typed-name e-signature recorded with a timestamp for your file.
The applicants are already searching.
Cadenza is free for musicians, so students and emerging artists browse programs and competitions by instrument, deadline, and discipline. Post your program and it surfaces to the ones who fit.
Built for the way a festival actually runs.
Application season (winter–spring)
Applications open months before the festival. Post the program free and take media, repertoire, and references in one place — not across email and Google Forms.
Post a program — freeCompetition rounds
Prescreen, semifinals, finals — run the jury panel, scoring, and advancement with an auditable trail instead of a spreadsheet.
Run a jury auditionFestival season
Sell week passes, single tickets, and masterclass observer seats on one ledger, with comps and a patron CRM for donors.
See ticketing & passesFor every kind of festival — tuned to how you run it.
Summer festivals & academies
Strongest fitOpen applications, media and repertoire, jury review, decisions, and offers — then sell passes and masterclass seats.
Competitions
Strongest fitPrescreen and live rounds with a jury panel, scoring, advancement, and a defensible result.
Young-artist & fellowship programs
Funded-track intake, references, and a faculty review committee.
Chamber & concert series
Season passes, single tickets, donations, and a patron CRM without a five-figure license.
They collect forms. Cadenza runs the jury and the festival.
Acceptd & SlideRoom are great at collecting applications. Cadenza adds the jury, the audition, and the box office.
From sign-up to open applications, in minutes.
- 1
Post your program — free
Festival, fellowship, competition, or audition. Write it, or reply “draft for me”.
- 2
Take applications
Branded form, audio/video, repertoire, and references in one place.
- 3
Jury, decide, sell
Score the panel, advance rounds, send decisions — then sell passes and masterclass seats.
Start free. Pay only when it pays off.
No setup fee, no contract, no auto-renewal — every plan is a fixed one-year term you actively choose to renew.
Free
$0 forever
Claimed festival profile, free program posting, and public discovery.
Post a program — freeFestival Admissions Pro
$12,000 / yr
The full admissions OS: multi-program applications, media, recommendations, prescreening, jury scoring, decisions, automated reminders, exports, and guided onboarding.
Book a demoPrivate pilot
Custom founding festivals
Selected founding festivals can run a private implementation pilot configured to their real season — any setup fee applies toward the annual plan.
Talk to us$12,000/yr Festival Admissions Pro runs the full season; selected founding festivals can arrange a private implementation pilot.
Also: free festival profile and program posting · ticketing & donations $0 setup, 7% + $0.99 per order · enterprise rollout available by quote.
Frequently asked questions
- Is it really free to post?
- Yes. A claimed festival profile, your multi-day calendar, and your first program or competition posting are free — no card required. Season passes are free to build and sell too — paid plans lower the per-order fee. Paid plans add the full jury-review Audition OS, ticketing analytics, and the patron CRM.
- Can we take applications AND run the jury on one platform?
- Yes — that’s the point. Take applications with a branded form, prescreen audio/video, declared repertoire, and teacher references, then run the jury panel with scoring from anywhere, weighted rubrics, several aggregation modes, rounds and advancement, and anonymous review — all the way to the decision, with an auditable trail.
- Does it go past the decision — offers, scholarships, deposits?
- Yes. Release accept/waitlist/reject decisions (with an optional embargo so a whole cohort flips visible at once on a set date), send offer letters the applicant accepts online with a typed-name e-signature, award named scholarships, fellowships, and prizes, package financial aid from scholarship / grant / work-study / loan / fee-waiver line items, and track enrollment deposits to hold the seat. Deposits are recorded, not processed — you collect them through your own channel and the applicant submits proof here, so no deposit money routes through Cadenza.
- What happens after an artist is admitted and enrolled?
- Cadenza runs the admissions cycle end to end — applications, jury, decisions, offers, scholarships, and deposits — and sells your season. Admitted artists then get a participant portal: they open it from their offer, see their status and the festival schedule, and submit their own housing, travel, dietary, accessibility, and emergency-contact details. Your team works the same roster from the festival dashboard. Day-of-festival operations — room assignments, rehearsal scheduling, and faculty timetabling — are not part of it.
- We run one application cycle a year — what’s the cheapest way?
- Festival Admissions Pro at $12,000/yr runs the full season — applications, media, recommendations, prescreening, scoring, rounds, decisions, and export. Selected festivals may qualify for a private implementation pilot to configure their real workflow first, with any setup fee credited toward the annual plan.
- How is this different from Acceptd or SlideRoom?
- Those collect applications and stop. Cadenza runs the whole cycle — blind jury scoring, weighted rubrics, rounds and advancement, audition-day operations, decisions with an embargo, e-signed offer letters, named scholarships and financial-aid packages, and enrollment-deposit tracking — and also sells your passes, single tickets, and masterclass seats and keeps your donors in a patron CRM. One platform, not three.
- What does ticketing cost?
- Ticketing and passes are $0 to set up — just 7% + $0.99 per order (5% + $0.99 for paid subscribers), added on top and paid by the buyer. You keep 100% of the face price you set.
- Do we have to sign a contract?
- No. Every paid plan is a fixed one-year term billed once, with renewal reminders before it ends so you decide whether to continue. Nothing auto-renews — when the term is up you choose whether to buy another year, and access continues through the period you already paid for.
Open applications today. Jury fairly this cycle.
Post your program, fellowship, or competition free — then run the jury review and sell your passes when you’re ready. No contract, no card to start.